These photographs were taken with a Canon AE-1 across Newport and Narragansett, Rhode Island. These two coastal towns hold a distinct New England rhythm, shaped by salt air, shifting tides, and seasons that leave their mark on everything they touch. Shot on film, the images lean into a slower, more observational way of seeing — capturing fog drifting over harbor waters, weathered docks, beach towns in quiet off-season moments, and the familiar textures of stone, sand, and sea that define life along the coast. Beyond the landscapes themselves, this series is about a sense of belonging to place: the feeling of growing up or living in Rhode Island, where the ocean is never far away and even ordinary moments carry a coastal calm. It’s an attempt to hold onto that understated New England identity—resilient, familiar, and deeply tied to the water and the communities along it. As a Rhode Islander, this series is on-going.

This series was captured on a Canon AE-1 film camera during a stretch of time spent in the Adirondacks, where the pace of shooting slowed to match the landscape itself. Working with film invited a kind of patience and attention that shaped each frame — light carefully measured, moments allowed to unfold rather than chased. The result is a collection of images that lean into texture, atmosphere, and the quiet shifts of natural light across mountains, water, and forest.

Captured with a Canon EOS R5, this digital series explores the Adirondacks with clarity, depth, and a sensitivity to changing light. From expansive mountain views to quiet lakes and dense forest trails, each image highlights the region’s textures and natural contrasts with crisp detail and balanced color. The immediacy of digital photography allows for a more fluid approach, responding quickly to shifting weather, reflections on water, and fleeting moments in the landscape. The result is a collection that feels both vivid and grounded, preserving the Adirondacks as a place of scale, calm, and quiet movement.

Captured on 35mm film with a Canon A-1, this series explores the quiet, windswept character of Block Island through an analog lens. The images lean into film’s natural grain and soft tonal shifts, rendering coastal light, rolling bluffs, and weathered structures with a sense of depth and atmosphere that feels timeless. Working fully manually with the A-1 invites a slower rhythm—one that mirrors the island itself — where each frame is intentional and shaped by changing skies, salt air, and fleeting moments along the shore. The result is a collection that distills Block Island into something intimate and enduring, balancing solitude, texture, and the subtle movement of the sea.

These photographs were taken with a Canon AE-1 in Acadia National Park, a place where the meeting of rugged coastline, dense forest, and open sky creates a landscape that feels both dramatic and deeply serene at the same time. Shooting on film encouraged a slower, more intentional approach—waiting for light to break through coastal fog, watching waves carve against granite cliffs, and noticing how quickly the mood of a scene can shift from bright and expansive to quiet and introspective. Acadia has a way of feeling vast without being overwhelming, where every turn offers something distinct — soft morning haze over the water, wind moving through evergreens, the contrast of sharp rock against the ocean’s constant motion. This series leans into those qualities, using the texture and grain of film to echo the rawness and beauty of the park, capturing not just how it looks, but how it feels to be there—immersed, present, and aware of something both powerful and quietly enduring.

This series was captured across the quiet backroads and wooded corners of Maryland, using a Canon A-1. Shot on 35mm film, these images embrace the tactile qualities of analog-soft grain, muted tones, and a natural unpredictability that mirrors the landscapes themselves. From weathered barns and goats to winding trails and dense stretches of forest, each frame reflects a slower, more intentional way of seeing. The Canon AE-1’s manual precision shapes a collection that feels grounded and unpolished, where rural textures and fleeting moments come together to tell a story of life just beyond the edges of the mapped and the familiar.

Shot on 35mm film with a Canon AE-1, this collection embraces the timeless character and subtle imperfections of analog photography in Yosemite National Park. Each frame carries the warmth, grain, and depth that only film can offer, capturing the park’s granite cliffs, winding rivers, and shifting light with an organic, unfiltered feel. Working with the AE-1’s fully manual controls, these images reflect a slower, more deliberate process — where every exposure is considered and every moment is carefully chosen. The result is a series of photographs that feel both nostalgic and immediate, preserving Yosemite’s landscapes in a way that is as enduring as the park itself.

Captured through the lens of a Canon EOS Rebel T7, this collection of digital photographs showcases the breathtaking beauty of Yosemite National Park in vivid detail. From sweeping granite cliffs to tranquil forest scenes, each image reflects a careful balance of natural light, composition, and timing. The Rebel T7’s precision and clarity bring out the rich textures and colors of Yosemite’s iconic landscapes, preserving moments that feel both expansive and intimate. This gallery invites viewers to experience the park’s timeless scenery through a perspective grounded in simplicity, patience, and an appreciation for the natural world.

This Interior Design Magazine is created entirely of 3D rendered images. I created a realistic, yet entirely made up space in Revit and used Enscape to export realistic images of this space. With these images, I made further edits in Adobe Bridge to enhance the image quality and make them look as realistic as possible. I then designed an original interior design magazine using Adobe InDesign.

Holding a great admiration for interior design, I decided to create a mock marketing booklet for an interior design store located in Newport, Rhode Island. I spent three days photographing the store, taking as many pictures as possible. Once I had enough images that I thought fit the aesthetic of the store, I edited them in Adobe Bridge and created a booklet for the store using Adobe InDesign.

This series of images works to explain the life of one of my close friends. For two weeks, I was tasked with following and documenting her life in the form of photographs. By the end of the two weeks, I was to put together a series of ten images that flowed together to demonstrate the energy that she portrays once you get to know her.

This series of images tells the story of my spring break overseas in Spain as well as the work waiting for me when I got back. I documented the trip as a tourist from a point of view that was not entirely tourist. I picked the least tourist-like images to create this story and portray a sense of calm and a break from the hectic activity that was the end of senior year in college.

This series of images tells the story of my senior year at Salve Regina University. From walking through the front door of my house on Dixon street for the very first time at the beginning of senior year, to the very last. I took three weeks documenting my life, capturing the fun, sad, hard, and exciting moments.

Based on a series of images taken during a summer vacation to Alaska in 2022, this zine tells a story of healing. The sequential order of these images shows how one can go from having a clouded headspace to a clear one, swimming against the current of anxiety and moving onto better things.

Based on a summer vacation to Alaska in 2022, I created a zine depicting the melting glaciers. The trip brought us to the Hubbard Glacier where I witnessed ice melting and falling off this glacier, crashing into the water. The silence around the glacier was broken only by these giant sections crashing down.

This Zine, based on images taken in Alaska in 2022, tells the story of what it’s like growing up as a dog on a dog sledding team. Having visited a dog sled camp in the mountains of Juneau, Alaska, I was shocked by the vast number of dogs at the camp. There were a vast number of sled dogs, puppies, and even one dog that was a pet.

“The Crow Book” is based on images of a taxidermy crow in Salve Regina University’s nature cabinet. These are not my images, nor my story, this book was simply a design experiment in Adobe InDesign.